Considerations for writing a love exile memoir, Part 1

One of the objectives of this blog is to “document the lengthy, emotional and complex process of writing a book about immigration.” With the exception of my undying urge to get our story out, the day-to-day landscape of actually writing it is in a constant state of evolution (at least on my end—Nathaniel can tell you himself how it’s going for him). The first chapter (my arrival/situation in Mexico) was surprisingly straightforward to write compared to the one I’m on now—about when Margarito and I first met. The collaborative editing of my first chapter was demanding, but it was the part I liked best about the developing co-author relationship with Nathaniel. This chapter is much harder to get started, although I’d thought it’d be the easiest—I mean, how complicated can a “how we met” story be to tell?

Fairly complicated, it appears. On the practical side of things, it is farther back in time and I must rely more on memory and journal entries (10 years ago vs. these last few years). Thus it requires a great deal of effort to transport myself sufficiently to deliver an authentic rendition of that time and place, although it’s a task I’m starting to get the hang of. Photos, music, meditation, and just plain dedicated time are helping with that.

When Margo and I first became pals, Cinco de Mayo 2001

Then there’s the emotional side of things. Revisiting what we “used to have” up in the States vs. “what we’re limited to now” in Mexico creates a nostalgic perception of the past that threatens an objective view of the past and the tenuous equilibrium I’ve forged in the present. It’s also a challenge to separate how I analyze current happenings from how I consider the past and its influence on the present. In light of this, I’m experimenting with alternative ways to manage my current “stuff.” I normally journal to process my thoughts, which you don’t really need to be an exile or a parent to relate to. Unfortunately, on top of the book writing, it’s turning out to be an inundation of verbiage that’s becoming overwhelming to organize, especially since in my case almost anything in my life can become material for this book. Since I’ve got to stay on top of the stuff that’s constantly cropping up in the present (I’ve long since learned the perils of repression), and thanks to the advice of a support person I’m working with, art will be the new medium for present-day processing while working on past-tense chapters.

Which brings me to another creative technique I’m a little more apprehensive about, although my gut tells me it’s OK to just go with the flow for now: finding my place in the current literature of my genre (I’m not even sure what to call it—The love exile memoir?—as it mostly exists on the blogosphere or third-person in the media). Although Nate and I are not newbies to the written word, this is our first book, and so we are both experimenting with what works for us. On that note, I’ve decided that instead of irrigating my years-long drought of contact with other immigration love exiles like me (I describe this circumstantial isolation more in the book), I’m going to keep mostly to myself and not inundate myself with the stories of other people who have had to live through the experience of having a spouse deported or forced to make the choice to self-deport.

When I shared this tactic with Nate, he responded that keeping abreast of all the stories and political landscape is important to him. In my opinion, as a journalist covering a large subject matter like immigration, it makes absolute sense for him to approach his subject with a great deal of familiarity. My own subject, on the other hand, is the journey my husband and I have made from getting together in the States, self-deporting, and resettling in his country of birth. Now that I’m involved with this project and Nate’s tipped me off to the abundance of fellow love exiles’ websites, I crave spending time reading up on them, or meeting the people he’s writing about, or getting to know the faces behind the cases that keep popping up to the public light who are living a similar hell as I. However, not only are there ethical concerns with us keeping our sides of the storytelling separate, but there are only 24 hours in the day and as Nate and I have both agreed, we need to keep the distractions to a minimum. So I’ve made a difficult decision to prioritize my precious (new parent) energies and just keep my nose to the writing grindstone. I am, however, making a local exception—a mutual friend is introducing me to another love exile couple recently arrived here to Queretaro. Ironically, the woman’s father found me through Amor and Exile’s Facebook page before I even met his daughter. I’m looking forward to meeting our new neighbors.

Once the manuscript’s done, however, I am eager to get more active in the wider activist community, more than just posting a few links and making a few alliances here and there. After all, the immigrant rights movement is really taking off and God knows many families really stand to be affected by what pans out in this next expected reform period.

The political-personal border

Long-standing “problems” with immigration and the border. The recently unveiled immigration reform proposal by President Obama. Our book. My own life. Never before has the political felt so urgent and personal to me, and yet never before have I felt so reticent about diving into political matters.

That’s kind of weird, so I’ve got to explore this. Although I’ve never held public office, I’ve also never shied away from politics. That’s probably because I never made much of a distinction between the personal and the political per se—at least as defined by Google dictionary (see below*) If you accept those definitions, you could say I got political pretty young, when I began organizing on behalf of the environment. I guess ever since my family exposed me to nature and I attended those camps as a kid, I decided the environment was something important to me, and it seemed like a no-brainer that whatever we did as individuals or a society had an impact on our greater world. Although I was long drawn to leadership positions, I was always far from feeling uniquely empowered—to the contrary, I was convinced (and still am) that anyone and everyone could make a difference in their community with a minimum of effort, and with good reason—my friends and colleagues and I managed to do some pretty incredible things.

Artwork from National Museum of Independence in Dolores Hidalgo, Gto. MX

It was with this sense of confidence that I first approached the issue of adjusting my husband’s immigration status. But as we recount in Amor and Exile, almost everyone who becomes involved with an undocumented immigrant eventually runs into a wall of legal complexity that seems impossible to overcome. Everyone deals with their disempowerment in different ways, and the reasons for their decisions are as intricate as the laws and societal pressures that influence them. Some couples fight tooth and nail to achieve official status for the undocumented partner, and win (or lose). Some couples prefer self-preservation and live under the radar for a short time, or forever. Some stay together. Some are separated. The living situations can be voluntary or forced. Our situation is a combination of several of the above.

Despite circulating a few articles or petitions regarding immigration, I’ve actually spent relatively little energy specifically on immigration action. It might seem odd in light of my inclination to activism, but I think there are several reasons for it. One was circumstantial, and had to do with the fact that around the time I began dating my husband, I was starting to become aware of how exhausting community organizing can be—they call it burnout—and I was at a point in my life where I began to prioritize my energies. I chose to focus on education vs. political activism. I’ve also unfortunately developed some sense of powerlessness over the last 10 years when faced with our limited number of choices, and the extent of people’s knee-jerk reactions about immigration issues is painful to behold. However, I’ve spent a ton of time thinking about our situation and how it relates to the larger political panorama, and always wished I could do more.

Now that one of the decisions I’ve made with regard to Margo’s former undocumented status in the U.S. is to write about it, our story has come into the public light. According to the first definition below, that automatically makes contributing to this book a political act, although that’s not my original intention—I simply had a vision to tell a story. It’s exciting because, as scary as it is, it’s my hope that telling our story could have some positive impact on others in our situation. Despite this, I feel reticent to make any sort of general political statement about my feelings about immigration reform—especially in response to President Obama’s recently unveiled proposal, which Nathaniel recently posted about. That could change, though.

In chatting up my ambivalence with a trusted supporter, she raised the idea of “self-activism,” and that instead of faulting myself for being politically inactive, maybe that’s what I’ve been doing a lot of in these past 10 years. It’s something I’m continuing to explore. After all, leaving one’s home country, adapting to life in another and possibly obtaining binational status (I’m waiting on a Mexican citizenship application) are no small tasks, as I allude to in a 2008 blog post, back when I first saw the artwork above. In any case, the work of writing a book is absorbing enough that I’ll need to seriously prioritize my time until my chapters are done—and for once that feels like a good enough reason to limit my exposure to the fray, at least in the short-term.

*po·lit·i·cal, adjective
1. Of or relating to the government or the public affairs of a country
2. Of or relating to the ideas or strategies of a particular party or group in politics.
3. Interested in or active in politics
4. Motivated or caused by a person’s beliefs or actions concerning politics

per·son·al, adjective
4. Of or concerning one’s private life, relationships, and emotions rather than matters connected with one’s public or professional career